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ARASH MAJD | COMPOSER
Post-Pitch World: Timbre as the Primary Element of Form
Abstract, Table of Contents and Glossary
Chapter 1: Attempt
Chapter 2: Preparation for Case Study
Chapter 3: Anatomy of Timbre
Chapter 4: Progression of the Five Contributing Elements of Sound
and Form in the Clarinet
Chapter 5: Transparent in the Flux of Time
Chapter 6: Noisiest Instrument in Crama
Chapter 7: Cello as the Leader of the String Section
Chapter 8: The Importance of the Piano
Chapter 9: Overall Average Values
Chapter 10: Flute Compared to Other Instruments: Fictious Timbral Recapitulation
Chapter 11: Clarinet Compared to Other Instruments: The Disappearance of Zero
Chapter 12: Violin Compared to Other Instruments: Unpredictable Appearance of Timbral Space
Chapter 13: Violin Compared to Other Instruments: Extreme Parallelism and Vague Structures
Chapter 14: Cello Compared to Other Instruments: The Single Appearance of Zero
Chapter 15: Cello Compared to Other Instruments: The Multiple Appearance of Zero
Conclusion and More
Index
Bibliography
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